“You know,” she murmured, “we’re all heading straight to hell.”
“Yes,” said Masako, giving her a bleak look. “It’s like riding downhill with no brakes.”
“You mean, there’s no way to stop?”
“No, you stop all right – when you crash.”

―
Natsuo Kirino
Out

//

I finished this book in two days, or perhaps two and a half, because I read a good part of it on a plane flying from Seattle to Singapore.

The characters are all gloomy and messed up, and the details (of the scene, of the inner dialogue, of the dialogue…) are many, but the plot moves along, and you cannot put this book down. So, please make sure you have the time for it, because this book is so delicious, sucked in at one go.

Literary realism at its best. Artfully grisly? Because we all have dark impulses, and how do you know how you would act, if you were put in that situation? Despite the brutality, you feel sympathy for the downtrodden protagonist, and hope that somehow she finds some peace.

Recommended.

“Billions of tiny cocoons hang woven into its threads, a lizard lying in the sun, a burning house, a dying soldier, everything dead and everything living. Time is big, yet it has room for new cocoons. A grey and relentless net, in which every second of my life is captured. Perhaps that’s why it seems so terrible to me, because it stores everything up and never really allows anything to end.”

―
Marlen Haushofer
The Wall

//

This story is morbid, disturbing and I loved it. It had me in a soft but firm grip, and there are no chapters, just a breathless report stretching 238 pages. The main character goes off for a holiday in the mountains and finds herself the sole survivor behind a transparent wall. The book follows her as she undertakes the task of surviving – cutting wood, planting crops, milking a cow… The narrative skips between the past and present, and that required processing but also made the read even more engaging. Even as it was clear that things would not generally go well, I was engrossed in the details, trying to guess what happens next.

This is not a fast-paced science fiction novel. It is an ode to the natural world and the human spirit. It is a simple story, told in beautiful prose. But as to whether the protagonist truly finds equanimity, I do not know.

[The book was first published in 1963, and I have never heard of the author. I am so pleased I chanced upon it at the bookstore.]

Recommended.

//

“But if time exists only in my head, and I’m the last human being, it will end with my death. The thought cheers me. I may be in a position to murder time. The big net will tear and fall, with its sad contents, into oblivion. I’m owed some gratitude, but no one after my death will know I murdered time. Really these thoughts are quite meaningless. Things happen, and, like millions of people before me, I look for a meaning in them, because my vanity will not allow me to admit that the whole meaning of an event lies in the event itself.”

“There were some small improvements. I now owned not one electric bicycle but a fleet of electric bicycles. In this sense, as far as I was concerned, I resembled a rock star I knew who owned a fleet of aero-planes. Yes, I had one e-bike locked up under the tree and two more in the garage. Friends came to stay from all over the world and we cycled around London together. It was a gesture towards a life I wanted, that is to say, an extended family of friends and their children, an expanded family rather than a nuclear family, which in this phase of my life seemed a happier way to live. If I wanted a spare room for every friend, my flat could not support this idea. If I wanted a fireplace in every room, there were no fireplaces in my flat. So what was I going to do with all this wanting?”

―
Deborah Levy
Real Estate

//

A timeless question – What have I done with my life?, sometimes interposed with a more materialistic – What do I have to show for it?

I appreciate how Levy captures the questions and how we answer ourselves, never losing a sense of optimism. I have read and adored Levy’s previous two volumes of her living autobiography. In this volume, she goes into questions about patriarchy and a woman’s place in this world, and much as one yearns for a strong message or resolution, I understand why sometimes ambivalence holds sway. We may not get the outcome we want in this lifetime, but we have to keep on trying.

Living is striving. Living is keenly observing. You may or may not have real estate to show for it.

//

“Yet my encounter with this rented house was a taunt, a provocation; it made me feel more alive. If I was full of desire for its ambience and grace, the fact that I did not have the means to buy it only accelerated my desire. Perhaps it was not the house but desire itself that made me feel more alive.

Maybe it is a good thing for us to keep a few dreams of a house that we shall live in later, always later, so much later, in fact, that we shall not have time to achieve it.
Gaston Bachelard, The Poetics of Space“

“One knew nothing. One lived and walked about on the earth or rode through the forests, and so many things looked at one with such challenge and promise, rousing such longing: an evening star, a bluebell, a lake green with reeds, the eye of a human being or of a cow, and at times it seemed as if the very next moment something never seen but long yearned for must happen, as if a veil must drop from everything. But then it passed, and nothing happened, and the riddle was not solved, nor was the secret spell lifted, and finally one became old and looked as shrewd as Father Anselm or as wise as Abbot Daniel, and perhaps one still knew nothing, would still be waiting and listening.”

―
Hermann Hesse
Narcissus and Goldmund

//

I love the writing and for the first few chapters, I was absorbed. There was a sense of not wanting to move forward, because the story may move such that I don’t get to enjoy the writing anymore. This not wanting to let it go, is a form of relishing.

Then, I went to other books, and came back again. Into the book I went; suddenly the story sped up and I was caught up in Goldmund’s travels, and Hesse manages to use this young man as a foil, teasing out the deeper questions of life, and yet, there is never an answer. Because life carries on, and meaning may or may not arrive.

It is clear that Hesse has insight into the human condition, and the way he described the natural world, it conveys a zest for life, an understanding of the importance of the simpler things in life. I read and re-read the first paragraph of the book. Goldmund is such a character – an aimless wayfarer – and Narcissus is so intellectual, perhaps overly so, but I love them both, and their differences perhaps reflect the different extremes one may struggle with, within oneself.

I am reading this in my 40s. I wonder if I would have loved this book as much if I had read it as a younger human. Would I have tasted the same sense of wisdom?

Highly recommended.